Thursday, April 9, 2020

Grampie: April 1, 2020


Remembering my Grandfather "Grampie" on the First of April 2020

From what I’ve been told this was Grampie’s favorite holiday. From my memories of him, I believe it. Although I don’t remember April tomfoolery specifically, I remember pranks, jokes, general eye-twinkling, steal-a-quick-wink antics. False teeth slid in and out over gums. Lit matches “swallowed.” “Friction” stories about rogue wolves and bucks leading wild chases over our own field and woods. Then there were the recollections of infamous incidents. Perhaps the most-oft repeated was the ladder-scare. Taking advantage of evening and well-placed windows, he once (or more than once) climbed a ladder from the backyard to look in the kitchen window above the sink where his daughter was washing dishes. The apparition of a leering head popping up in the dark window was obviously quite alarming. My aunt shrieked and fled the scene. To this day I don’t know how she ever recovered sufficiently to peer through a window at night. 

Apart from these tales of hilarity (and trauma), reigns the good humor, the gentle hands, the grin, the hat, vest, “dungarees” over work boots, and pipe smoke. All contained in those twinkling blue eyes which, all tomfoolery aside, would never pleasure in another’s pain. In all my memories there’s only one that echoes with a voice raised in anger, and that was directed at a dog who’d just killed one of his chickens. Even when merited, like the time we picked all the ripening apples from the wizened little trees beside the house only to smash them in the road, inexplicably amused by this wasteful destruction—even then, he didn’t yell at us or lose his temper. Our residual shame far outweighed the reprimand that lacked sound and fury. For beyond all other delights, savoring sweet treats, growing vegetables, bottle-feeding calves, building furniture and miniature carriages for toy horses, rambling the woods, chugging about on the red Farmall, beyond even puffing on his pipe, he loved his progeny the most.

Four children married and produced their own children, and then some of those grandchildren had children. By his final day, there were 14 grandchildren (plus four spouses) and seven great-grandkids, including the newest, still an infant. As of today, April 2020, there are five more spouses and nine more great-grandchildren, with more to come, no doubt. His legacy continues, with twinkling blue eyes, comedic humor, love of animals, woods, and growing things; skilled hands, sweet tooth-s, gentle compassion, and even pipe-smoking sprinkled through the generations.

Grands and Great-Grands August 2014
This year is the fifth year since he left us, since “his chariot came,” as my mother says. None of us have any doubt that he went Home, to Heaven, to the Paradise with endless woods through which he can roam with his new and perfect body. He is there, reunited with his mother and sisters and ancestors he never knew in life, at utter peace some place beyond the moon. Thus when we cried, when I cried at that one line of text relaying the news for which we’d been waiting all week, we cried for ourselves, for our sorrow at living without him. The world held a little less joy, a little less warmth. We all grieved differently, and some of us shared what we’d miss most, what we best remembered about this unassuming man from an unremarkable small town: this man who was so much to so many.
I remembered the prankster loosening his teeth and swallowing matches. Holding me on his lap during Sunday service. Hiding foil-covered chocolates for our Easter egg-hunt. Driving the tractor while we chanted “Faster! Faster!” When he let me drive in his lap and I mistakenly popped up the front tires; I exclaimed, “I did a wheelie!” so my cousins would be impressed rather than scornful. Holding the hose over a lethal waterslide made of pool-lining draped down a steep hill. 

Splitting and stacking wood with Dad on brisk autumn days, coming in for a mid-morning coffee break. Leaning over a heated box of eggs as we watched chicks hatch. The smell of woodsmoke and pipe smoke mingling as the winter snow kept him puffing in the snug cellar. Tilling and weeding the large vegetable garden at the bottom of the field; laughing as my cousin and I dug up the carrots and crunched them down unwashed (we assured him they tasted better with the dirt.) The Christmas present of a beautifully detailed miniature wagon complete with spoked wheels and functional harness to which I could hitch a toy horse. Him leaning back in his recliner while we combed his scant whitened hair and massaged the bald spot. 

Christmas Eve after Candlelight Service when we gathered in their home warm with crackling fire in the brick fireplace, tree with the wooden train set underneath, table laden with hors d’oevres and snacks with his homemade eggnog in the central place of honor (rum on the side.) His contented “bumbabum” hum which inspired our parody of marching about with spare pipes in hand singing “Bumbabum! Puff-puff!” in high hilarity. Us hiding his pipes in protest of the cancerous cough and Grammie’s worries; shaking our heads as there was always another pipe somewhere. Him filling the riding lawnmower with gas so we could take turns driving it around the house, towing the trailer with cousins. The little rusted folding chair perched at the top of the rock bluff overlooking the field he’d cleared as a boy. The blue lawn chair tucked in the corner behind the house where he puffed overlooking the backyard and barn. 

His surprise when in the first week of March, uncharacteristically early, I won our unspoken race of finding the first of the Mayflowers and presented him with a small bouquet. His sass and twinkle even from his bed when he regaled us with a risqué anecdote from his naval days about a woman’s enticing “chest” tattoos. The next week when I sat alone by his hospital-bedside reading poems aloud, my breath catching every time his did; his breathing was so slow I was sure each depression of his chest was the last.

These are the heirlooms I have now, these memories at which to grin, chuckle, and perhaps cry. Cry as I wish he were here to meet his newest great-grandbabies, to fuss over the dog, to trek the woods for his own Mayflower patches, to be the companion to Grammie, his partner for almost sixty years.   

Love never fails. 

These are the wistful cogitations left to me.
But in a way I make new memories with him still.
For he is there when I ramble down the familiar trails and venture off the path. He’s there when I brush aside the fall debris to scour for Mayflowers. He’s there by the pussywillow bush with its soft gray seedlings. He’s there at the barn door and atop the rocky bluff. He’s there at the pond behind the white-clapboard meetinghouse to which he once held historic keys. He’s there with the bluebirds flashing color through the somber landscape. He’s there in the smell of new earth and the chirping of peepers, for spring was his season.
So every spring, when the ground squelches with thaw, when paths overrun with streams, when the evenings lengthen and the maple buds red, when the first of the Mayflowers open gently pink and softly white under the stifling autumn mulch, I remember him more vividly. I miss him more exquisitely. I don’t know what he’d say to me, mess that I am, medicated and habilitated with no prospects and no progeny, rambling aloud to his stone, but I know he loves me still. His love sets me checking every day, beginning with the birth of March, for those hardy Mayflowers. Among the first blossoms I uncovered this year, patches of stubborn snow yet clinging to the ground, I saved a stalk for him, left it at his stone after my last visit. The fragrance was so sweet I lamented leaving it behind, but I said farewell until we meet again.
 
Mayflowers Spring 2020



Tuesday, March 24, 2020

Overcomers


Coronavirus, or COVID-19, is paralyzing the world. Nation after nation has been infected to the point that this small-time virus first spotted in China is now a global pandemic. As of Thursday, March 19, Haiti joined the ranks of infected. Two confirmed cases of coronavirus prompted President Moise to follow suit with other infected countries and declare a national state of emergency. The airports have been shut down to commercial travel; those with tickets out are uncertain if they’ll be able to leave.

While saddened to hear of corona’s confirmed arrival in Haiti, I was not surprised. Haiti has been victim to every category of disaster since her “founding” in 1492. For such a small country, this Caribbean island is globally famous, or infamous. In Haiti’s past twenty years there have been seven devastating hurricanes, bouts of deadly flooding and mudslides, and the infamous earthquake of 2010 followed by the cholera epidemic. Droughts and erosion have ruined arable land and left farmers empty-handed and the population hungry; military coups, gang warfare, corrupt politicians and officials (including aid-workers) have bloodied the streets and absconded with funds. Of the 58 heads of state, 23 were overthrown. The current president, Jovenel Moise, has been under fire since his inauguration in January 2017. If able to complete his term, Moise will be the 12th head of state to do so.

street barricade

Protest in Port au Prince, fall 2019 (photo credit: Karen Bultje)

In just my three years living in Haiti and working at CAP our community experienced some of these political protests. Police retaliation that included stones and bottles thrown, bullets fired, and gas canisters released. Gang warfare and police retaliation. Road barricades of cinderblocks, tree limbs, and burning tires guarded by armed patrols. Complete country lockdown “peyi lòk” which closed schools and businesses so money and food became even scarcer. Resultant cases of severe malnutrition, spread of illnesses and maladies including parasites, fungus, and fevers. Hurricane Matthew with flooding and landslides followed by the resultant cholera scare and food shortage. Burns and wounds from motorcycles or cook fires, festering infection, and broken bones such as required hospitalization and daily dressing. Severe asthma attacks and hypertension requiring emergency intervention. Rampant stomach flu, fevers, conjunctivitis, ringworm and scabies. Malaria, typhoid, and dengue fever. Infected teeth and abscesses requiring dental work performed without anesthesia. Surgeries and complications. Stillborn babies born at home. Sunken-eyed malnourished infants. Misunderstood and untreated physical and emotional trauma. Abuse, abandonment, and mental illness tearing families apart. Death and too many funerals.
 
after Hurricane Matthew


Now that President Moise has declared the state of emergency, schools will close. Again. Over the past year Haitian schools have been closed more than they have been open, due mainly to the political protests. Since January, however, many schools have been successfully functioning, including our beloved Christian Academy of Petit Gôave. At CAP and many other mission schools around the country, students not only receive education but a nutritious meal, clean water, and as-needed health-attention. School is also the safest and most comfortable space many of the children know. Closing school means increased hardship for the students and their families, the staff and their families, and local business owners. And, of course, those of us who love CAP and all the CAP Family are saddened, wondering why, once again, Haiti never seems to catch a break. We weep for those children who will be so much hungrier without their daily school food. These are children without a spacious home to which they can retreat; they have no furnished bedrooms or living rooms, no internet, no Netflix, no shelves stacked with books, no kitchen tables set with crafts, no backyards in which to play. Most of them don’t have indoor bathrooms, running water, or toilet paper. Soap and clean water may be rare. Houses are often crowded and everything is shared, including germs mikwob. While for most of us “quarantine” at home is merely inconvenient, for the average Haitian it means suffering and possibly endangerment.

student's home: cinderblock and tin roof with curtain "door"

student's home: scraps of tin, plywood, mostly tarp; tarp "door"

This is a strange time. A frightening time.
Some think these are the End Times, that the Apocalypse is nigh. I don’t know. Even in the strange and frightening book of Revelation (titled “Apocalypse” in French) God does not reveal when the End Times will occur. We are not meant to know the exact date of the Last Days, but rather to be ready always, prepared to face the End at any moment. That’s a heavy responsibility. One I would fear much more were I not certain my own Last Day will send me home to Heaven. Regardless, these days are strange: unpredictable and unforeseen. Before a blizzard we stock up on milk, bread, and eggs. Before a hurricane we batten down the hatches. Before “Flu Season” we get our flu shots.
Coronavirus is something new, and new things scare us. But fear is not fortuitous. Panic is not productive. Hoarding is not helpful. Let us be rational. Fear is a liar. Do not be ruled by fear. My best advice is to turn to Jesus, to dust off that old Bible or download a Bible app so you can do some reading. (You have time now.) Time to read, time to reflect, time to pray.

Although no longer living in Haiti or working at CAP, privileged to love with my hands and feet, face to face and arm in arm with the gorgeous children, staff, and Ti Goave community, I still love with my heart and voice. I still pray. I pray God’s Word back to Him* on behalf of myself, my loved ones, and the world, thankful that time and distance do not limit Him. Neither does the size of the problem. And I remember what God has overcome before this.
God has been there through the worst pandemics in history, including the deadliest Bubonic Plague of the mid 1300s when upwards of 100 million people were killed. He did not permit our annihilation then, and He will not permit it now. And He is here to give us peace in the face of the unknown. I do not fear this “pestilence that stalks in the darkness, nor the plague that destroys at midday” (Psalm 91:6) because God is supreme. He is both the Creator who designed our bodies and knows the layout of our very atoms, and He is the Great Physician capable of curing all ills. He is also our Father who cares for us, knows every hair on our head (Luke 12:7) and values us even more than the magnificent stars (Psalm 8). Thus I believe God will not allow coronavirus to destroy us, and He will bring Haiti through this latest crisis as He has brought her through every crisis since the enslavement and genocide of her native people beginning in 1492.*

Haiti is not hopeless. Again and again Haitians have risen from the ashes.  They are resilient, determined, long-suffering. They are inspiring, beautiful, hospitable. Instead of expecting aid from an unsuccessful government, Haitians have adapted and developed unique systems of business, healthcare, foster care, and justice. They are overcomers.  


“Overcomer” is a powerful song by Christian artist Mandisa released in 2013. Inspired mainly by a friend battling breast-cancer, Mandisa wrote the song to remind us that no matter how seemingly insurmountable the obstacles, or the pain, we can overcome when God is on our side. The video chronicles the fight for health of several real people, people who faced fearful circumstances and did not give up. Their courage was limitless because it came from God. God, who raises the dead, God who created everything from nothing, God who stays when everyone else has quit us, gives us power when we ask for it. Gives us courage and peace. He is still in charge, even though the world seems to have gone crazy. I have such blessed assurance knowing God is in control so I don’t have to be. Assurance that melts my fears with the snow and grows my determination with the Mayflowers. I can overcome depression and anxiety, suicidal darkness and self-harm; Haiti, and we, can overcome the newest disaster of COVID-19 national emergency, because God already has overcome all of it.











Just a few members of God's beautiful CAP community with and through whom He has done miracles  

*Some of the Bible verses I pray regularly: Psalm 91 and 140; Matthew 6:9-13; John 14:12-14, 27, 21:15-17; Romans 8:28-39; Galatians 6:9-10; Ephesians 3:14-21, 6:10-18; Philippians 4:6-7; Hebrews 12:1-2, 10-12

*By the year 1592, 100 years after Columbus landed on Hispañola and Spanish settlers/conquistadors began enslaving the native Taíno people, there were only 200 natives left on the island. Researchers contest estimations of the original Taíno population, but there were probably more than one hundred thousand. Philippe Girard, author of Haiti: The Tumultuous History—From Pearl of the Caribbean to Broken Nation, estimates there were originally 500,000.


“Overcomer” by Mandisa music video link

Works Cited
@elizabethjdias, Elizabeth Dias. “Gabby Giffords and Robin Roberts Star in Top Christian Music Video.” Time, Time, 11 Sept. 2013, nation.time.com/2013/09/11/gabby-giffords-and-robin-roberts-star-in-top-christian-music-video/.
Brockell, Gillian. “Here Are the Indigenous People Christopher Columbus and His Men Could Not Annihilate.” The Washington Post, WP Company, 14 Oct. 2019, www.washingtonpost.com/history/2019/10/14/here-are-indigenous-people-christopher-columbus-his-men-could-not-annihilate/.
Charles, Jacqueline. “Haiti Confirms Coronavirus in Country, Closes Airports to All Commercial Flights.” Miamiherald, Miami Herald, 20 Mar. 2020, www.miamiherald.com/news/nation-world/world/americas/haiti/article241362616.html.
Gallagher, James. “Coronavirus: How Close Are We to a Vaccine or Drug?” BBC News, BBC, 20 Mar. 2020, www.bbc.com/news/health-51665497.
Girard, Philippe R. Haiti the Tumultuous History: from Pearl of the Caribbean to Broken Nation. Palgrave Macmillan, 2010.
Heinl, Robert Debs, et al. Written in Blood: the Story of the Haitian People, 1492-1995. University Press of America, 2005.
“The History of Natural Disasters in Haiti - UFondwa-USA, Inc.” UFondwa, 23 Feb. 2018, ufondwa.org/history-natural-disasters-haiti.
The Holy Bible, New International Version. Zondervan Bible Publishers, 1984.
LePan, Nicolas. “A Visual History of Pandemics.” World Economic Forum, 2020, www.weforum.org/agenda/2020/03/a-visual-history-of-pandemics/.
Staff. “Outbreak: 10 of the Worst Pandemics in History.” MPH Online, www.mphonline.org/worst-pandemics-in-history/.

Friday, January 10, 2020

The World is Bananas: Modern Art and World Hunger


Many of you have probably heard and shaken your heads over the recent art sensation, or scandal, that took place at the Art Basel show in Miami, Florida last month. Famous Italian artist, and “jester” (“Maurizio Cattelan” Guggenheim) of the modern art world Maurizio Cattelan, presented his piece “Comedian”: a banana duct-taped to a wall. A real banana, already browning with age held to a plain wall of the gallery with one piece of gray tape.
The piece was sold for $120,000. Or rather, the “idea” was sold, as the first banana was eaten soon after by artist David Datuna, and replaced, which would have soon been necessary anyway for within a few days it would have rotted into mush and fallen from the wall.

You probably have lots of questions about “Comedian,” the artist Maurizio Cattelan, and the wealthy buyers who purchased “certificates of authenticity” to accompany their own bananas and tape. I certainly do. The radio hosts who first informed me of the debacle had their own questions, including the very relevant point of “How does the new owner take the piece home? Does he peel the banana off the wall, or does he get to carve out that section of wall because technically it’s part of the artwork?” Would the owner carefully remove the banana and its securing tape, place them gently in a lined box or briefcase with a combination lock made for valuables, handcuff it to his wrist before climbing into his limo or helicopter? There were so many questions about the purchase and transfer of “Comedian,” questions beyond the initial confounded “Why?”

Maurizio Cattelan’s Comedian, a banana fixed to a gallery wall with grey duct tape.
"Comedian" : Jones, Jonathon "Don't make fun of..." article, photograph by Rhona Wise

Why? It’s a question we ask often in this turbulent life.

I asked myself “Why?” when I first heard of, then read about, Cattelan, his most recent piece “Comedian,” and the three top buyers. Upon further research I understand that Cattelan is known for his sacrilegious, macabre, and provocative artworks which poke fun at himself as much as anything else, including the very concept of modern art. He compares himself to Cassandra, princess of Troy, who was dismissed as a crazy babbler for her warning prophecies against Troy’s destruction. No one heeded her and Troy was destroyed by the Greeks. Whether Cattelan is warning us against destruction at our own hands I’m not sure, and I still don’t know what he hopes to gain from “Comedian.” I don’t know why the Art Basel would permit the work, a term that doesn’t even seem fitting to describe a banana duct-taped to a wall, I don’t know why anyone considered the work worth anything beyond the minimal production costs (one banana and a roll of Duck Tape), or why anyone would meet the asking price. For yes, indeed, Cattelan did include an asking price with the title of his piece. I wonder whether he laughed when his demand was met or whether he sighed at the continued foolishness of man.
I wonder if Cattelan wonders, as I do over and over again, why there should be such disparity in the world. Why one average banana and one average piece of tape should cause such an [expensive] stir while millions of children go hungry. Why there are VIPs who spend hundreds of thousands, millions, of dollars on frivolities, on nonsense, such as modern art like the “Comedian” or canvases painted with two blocks of color, while the common poor choose between medicine or food. Why are there even such persons as “Very Important People”? Why are some of us worthy and others disposable?
Why? Why? Why?

If you are like me these questions make you mad.
You move beyond bewilderment into anger when reading of the “Comedian” debacle, when you see a woman sheltering beneath an overpass, or a man holding a cardboard sign on the median in front of a shopping center. You get mad when students throw away unopened snacks and unbitten apples in the cafeteria trash barrels, when children complain that their phone isn’t the latest model or their car doesn’t have seatback screens. You get so angry sometimes that you pound your fists and cry.

Recently I got mad looking at photos of a beautiful second grader standing in her house. The floor is dirt. The walls are plastic USAID tarp patched with rice sacks. The roof is cracked scraps of rusted tin. In the one-room space there is a sagging bed and a table piled with clothes and cookware.
The smiling second grader stands with reddish-tinged hair pulled into erratic pigtails, hands folded in front of her, legs scuffed with dust, feet bare. She has said the flimsy roof leaks so when it rains the floor becomes mud. She lives with her grandmother, mother, and two brothers. No one works.


Usually the girl attends school and eats a good meal five days a week. For two and a half months her school was closed as political protests locked down the country, enforced by patrolling gangsters who forbid schools and business to function. To appease the gangsters and yet serve the students, the school compromised with a Saturday program: children came at 8:00, were fed breakfast, prayed and sang together, listened to a Bible story, played games, and ate a midday meal of rice and beans, departing in small groups around 1:00. The program was held at a private home and children attended in street clothes. It wasn’t much but a few hours on Saturday was better than nothing. The second grader had attended the latest Saturday program and received eagerly an extra plate of rice and beans. She wolfed down the heaping portion and then promptly threw it up again. She sobbed in embarrassment.
Why? Was there too much food in her shrunken stomach? Was the food eaten too quickly? Did she fear that this could be her last meal? Did she feel guilty that she had wasted all that food? Was she ashamed for showing weakness before her peers?
The answer is YES to all of the above.
The real question is why this beautiful little girl should be so hungry. Why should she and her family live in a tent-house? Why should they struggle for food? Why should she be barred from school and her guardians from work?




Why should one person drop $120,000.00 on a rotting banana while an entire family cannot afford a $25.00 bag of rice to feed them for a week?

All these why’s make me furious.

Furious like the day I heard the gangsters had threatened our students to keep out of school. Furious like when I saw photos of a first grader’s twiggy arms and legs framing his little pot stomach (signs of acute malnutrition.) Furious like when a four-year-old walked the two miles halfway to school on the heels of a neighbor. Like when the mother sent her fevered kindergartner to school because there was medicine at the school (ibuprofen.) Like when a third grader’s father came asking for food at the director’s house, hands held out in supplication from his bony frame. Like when a kindergartener’s mother nearly fainted in the office because she’d given her portions to her children and eaten nothing for two days. Like when a second grader endured an untreated broken arm for three days because he’d been taught not to complain. There is much that makes me angry. Much of that anger has a common source: poverty.
Shelley Jean is co-founder of Apparent Project and founder of Papillon Enterprises in Haiti, organizations dedicated to orphan prevention through job creation, providing work so parents can provide for their children. Shelley understands this anger.
“Poverty is evil,” she writes in her book Shelley in Haiti. “Poverty destroys. It makes people do things they wouldn’t do, and it kills…We were not meant to live in poverty” (Jean 146.)

And yet so many do live in poverty. Two thousand years ago Jesus promised that we would always have the poor among us, and we do. There are so many who cannot afford sufficient food, medical care, or housing; they lack what the average First Worlder considers basic necessities. Meanwhile, us First Worlders are wrapping up the Holiday Season. For the first time in four years, I’m wrapping up the Season as well, having been present through Halloween, Thanksgiving, Christmas, and New Year’s.

Holidays are tough. The extravagance of decorations, festivities, gifts, and food is tough. Once you’ve seen the dirt floor and tarp and rice sack walls of a second grader’s one room house, once you’ve seen the malnourished twig limbs of a first grader and the hollowed cheeks of the fourth grader, you can’t enjoy First World holidays as you once did. In the bliss of ignorance and gluttony.
Instead when you enter the department store you think how much comfort those soft blankets and towels could lend those in leaky mountain shacks. You consider how the soaps and lotions could ease irritated skin and prevent scabies. How those toys could light up hunger-dimmed eyes.
You sit down to share a meal with family and imagine how many hungry could be fed by the bounty. How many could enjoy fare they’ve never tasted in their bland, bare diet. You bite a cookie and remember they’ve never seen such an array of desserts, not tasted gingerbread, whoopie pies, cheesecake, or apple pie. You want to fill a platoon of carts with goods and goodies for them, those children hungry in body and soul. Their parents, too. You want to invite them all home for Christmas dinner, dessert, cocoa and presents just for them beside a colorful tree.

Your Christmas wish is their provision, just a fraction to closer equality with the local kids you see at school in NH, with your own adored cousins with their own bedrooms and playrooms. You just want to lessen the disparity a bit. Just a bit.
Why can’t you?

Why? Why? Why?

“Shame on the artist and shame on the buyer,” you might say of the “Comedian” debacle, er, event. “Shame on them.”
I’ve thought that, certainly.
But I like to think that artist Cattelan gladly accepted the bids of eager buyers of his piece and donated the proceeds to a worthy cause. A cause that might feed hungry children, give vaccinations, or pay teachers. I like to think that the buyers of “Comedian” laugh themselves at the absurdity, share in the comedy, enjoy the banana, and proceed to spend much more money on feeding other hungry people.
I prefer to imagine the best of them because I don’t know the truth.
Just as we don’t know the history of the gangsters patrolling the streets of Haiti, the desperation of parents leaving their children at orphanages, the fear of children with food insecurity. We can’t know, truly, we of the First World, we of anywhere in the realm of Middle Class or above, the lot of the Poor. The cultural, generational poor. We can’t ever answer the heavy questions of why.

We can overcome our anger with determination. Our sorrow with perseverance. We can fight the evil of poverty, as Shelley Jean promises she will, every day (146.) We can strive to bring a little more equality to an unequal world, a little more joy to the despairing, a little more sustenance to the weak. We can lessen that yawning chasm of disparity a little more. We can stop fuming over the “why” and start focusing on the “how.” The first step is, in good humor, to put bananas and duct-tape to practical use in filling  bellies and  patching holes.

*Call to Action: If you would like to help this beautiful second-grader and her family upgrade their house, including purchasing new tin for a fitted, leak-free roof, please contact myself at rachel.allyssa93@gmail.com or Beverly Burton at bsburton902@gmail.com. Thank you. 

*Note: Upon researching Maurizio Cattelan I am very intrigued and have gained respect for the artist. I appreciate his wit, self-effacement, and courage at poking fun at himself, other artists, curators and collectors, and at his attempts to make us see with new perspective. Although I do not agree with what I deem religious degradation in some of his art pieces, I concur we are too consumed with ourselves and quick to adopt opinions and judgements without due consideration. Also reading about Cattelan and his previous works has alleviated much of my frustration about the "Comedian" spectacle. Note the sources on Cattelan listed below.

Sources

Buck, Louisa. “'Art's Most High-Profile Provocateur' Maurizio Cattelan on His New Blenheim Palace Show.” The Art Newspaper, The Art Newspaper, 12 Sept. 2019, www.theartnewspaper.com/interview/art-s-most-high-profile-provocateur-maurizio-cattelan-discusses-his-new-blenheim-palace-show.
Elbaor, Caroline. “Buyers of Maurizio Cattelan's $120k Banana Defend It as 'the Unicorn of the Art World,' Comparing the Work to Warhol's Soup Cans.” Artnet News, Artnet News, 11 Dec. 2019, news.artnet.com/art-world/maurizio-cattelan-banana-collector-1728009.
Jean, Shelley, et al. Shelley in Haiti: One Woman's Quest for Orphan Prevention Through Job Creation. Papillon Press, 2017.
Jones, Jonathan. “Don't Make Fun of the $120,000 Banana – It's in on the Joke | Jonathan Jones.” The Guardian, Guardian News and Media, 9 Dec. 2019, www.theguardian.com/artanddesign/2019/dec/09/the-art-world-is-bananas-thats-what-maurizio-cattelans-been-saying-all-along.
“Maurizio Cattelan.” Guggenheim, Solomon R. Guggenheim Foundation, 2019, www.guggenheim.org/artwork/artist/maurizio-cattelan.